Ugh, Travelers! (Spoilers Ahead.)

I just finished the third season of Travelers and I feel I’ve been emotionally manipulated.

The ending–that the Travelers program was a failure because even though people sent from the future prevented major environmental disasters couldn’t stop the original Traveler from sabotaging the entire scheme–was understandable, and it could serve as a series ending. But then we learn we spent the last three years watching the first version of a Travelers program and a second version was about to begin.

Black Mirror had an episode with a similar theme: a dating program went through many, many extremely realistic simulations to determine whether two people were right for each other. But! That same episode had the same people in all the simulations.

Throughout this Travelers season, the whole team has started to fray, so I can see how the Travelers program, or at least this team, could be considered a failure. At least two, Philip and Trevor, are falling apart, both physically and mentally. Marcy’s consciousness already had to be replaced once and her boyfriend stumbled right into a room with a nuclear bomb that he alone had to defuse. Mac’s wife figured out he wasn’t who he said he was. Carly lost custody of her child.

And I think it’s natural that the first person in the program figured out that maybe it wasn’t the best idea to go into the past based purely on the whims of a computer crunching out countless algorithms. However, this person had no way to go back to the future and give feedback. None of the Travelers have any idea if any of their missions succeeded in changing the future–and what it meant for the Director to completely abandon their timeline.

The final scene with David and Marcy (Marcy the nurse, who didn’t run afoul of the first Traveler and become disabled) was way out of left field for this show: These two people would have met and fell in love regardless of whether Marcy’s body was taken over by a person from the future. The whole point (and hope, really) of the show is that future events can be changed and nothing is static, and love (remember Mac and Carly were romantic partners in their future lives?) is beside the point.


Ugh, Travelers! (Spoilers Ahead.)

Netflix and BBC’s Troy Falls Into Mediocrity


Image Source:

I have a deep love of the classics, although my experience skews toward Latin and the Aeneid, which are about the Romans. However, Romans were big fans of copying everything the Greeks did. Virgil, who wrote the Aeneid, was heavily influenced by the Greek blind poet Homer, and his Iliad and its sequel, the Odyssey.

It’s arguable that these two epic poems are the foundation of Western literature. And I can tell you that like the Aeneid, the Iliad and the Odyssey are really, really good. So I saw there was a joint BBC-Netflix production of Troy and I was ready to dig into eight episodes of siege-worthy glory.

But, for the first time in a really long time, I’ve been sorely disappointed by a BBC production. (If you look at the IMdB reviews, you’ll see others are a lot more salty than I am.)

Here are my issues:

Factual errors

Everyone knows that the fall of Troy is about Paris, prince of Troy, and Helen, who abandoned her husband Menelaus and their daughter in Sparta to be with Paris, sparking an international incident that led to a 10-year-siege. The city eventually falls when Trojans, starving, encounter a wooden horse on the beach they think the Greeks have deserted. They determine the horse is an offering to the sea god, Poseidon, and contains grain and bring the horse into the city walls. The horse also served as a vehicle for a select group of Greeks, who were unknowingly and personally escorted into enemy territory by the enemy. The army returns to the beach and Troy is destroyed.

(That’s a simplistic overview, I know.)

Paris has several brothers and a sister, Cassandra. According to Greek myth, Cassandra is cursed with the gift of foresight–yet no one believes her and writes her off as a madwoman. Apollo, the sun god, cursed her after she refused to sleep with him. In the miniseries, Cassandra has visions of the future as a child. Her parents are indulgent and although she lives in isolation as a teen and young adult, her sisters-in-law and Paris eventually turn to her for advice when the war starts to go south. However, Aimee-Ffion Edwards, who portrays Cassandra, does an excellent job and is well cast.

Before the Greeks leave for war, they offer a sacrifice to the goddess of the hunt, because they were hunting Helen. The priest gets a visit from the goddess, who determines that the usual fare of doves and other small animals are not enough and demands the daughter of King Agamemnon. It’s easily the most striking plot development in the early episodes of the season, and Odysseus spells out why: By killing his own daughter, Agamemnon will be in such pain he will be utterly despondent to his enemy; it will make him that much more of a ruthless killer. The priest refers to the goddess as Diana, which is the ROMAN name for Artemis, who the Greeks would have been trying to appease. That’s just downright sloppy and there’s no way that should have made it into the first draft of the script, much less the broadcast.

The Amazons eventually join the Trojans in fighting the Greeks. The Amazons, fierce female warriors, were so dedicated to battle they all chopped off their left breasts in order to more accurately hold and fire a bow and arrow. All of the Amazons in the series have two boobs.

Agamemnon recruits his allies and their armies from different city-states across Greece. Every single one of them speaks with a British accent. So do the Trojans.


Paris, in the poem, is superficial and flighty. He’s visited by Zeus and three goddesses: Hera, Athena and Aphrodite, and is forced to choose a favorite. Aphrodite promises him the most beautiful woman in the world and after about 30 seconds Paris chooses her. Although the Greeks treated their gods as mightier than them, they still had mortal characteristics. Hera is a jealous harpy; Athena is wise and shrewd; Aphrodite is seductive. But in the miniseries, the whole thing is played off like Paris meeting four strangers in the woods and settling a minor dispute instead of a showdown with catastrophic consequences. There’s really nothing to differentiate them from humans, except they randomly show up places and only certain people can see them. As battle begins, Aphrodite and Athena bless soldiers on their respective sides, but it’s nothing special.

When we meet Menelaus and his wife, I was confused as to how Paris could seduce Helen so quickly. She’s smothered in jewels and she and her friends throw sex parties. Her husband is a mite condescending but he’s young and handsome and clearly adores her. There was little to no chemistry between the actors who played Paris and Helen. He gives quite a speech at his death, telling Menelaus that although he has Helen back, he’ll never have her love like Paris did, but that was too little, too late. I can’t overemphasize how important it was to cast these two roles correctly. Their relationship destroyed a family, their city and its citizens. (For a master class in sexual chemistry between two actors, see Rufus Sewell and Caterina Murino in the miniseries Zen.)

The Horse

I was so disappointed in the final episode, mainly because a lot of time in previous shows is devoted to showing how savvy and shrewd and manipulating Odysseus is. When Achilles refuses to fight because Agamemnon takes a slave he claimed for himself, Odysseus finds a way around it. After Achilles kills Hector (in retaliation for killing Achilles’ lover in battle) he grants Priam an audience and allows him 12 days of mourning. Odysseus has one of his men kill one of Achilles’ soldiers and made it look as though a Trojan did it, all but assuring Achilles’ return to war.

Paris kills Achilles, and immediately the Greeks’ chance of winning the war plummet. Paris convinces his brothers to attack their enemy’s encampment and comes across an empty beach with a horse.

  1. We know nothing of how Odysseus comes up with this idea.
  2. How does he convince Agamemnon to sign on and the others to stay hidden inside?
  3. How do they build it without the Trojans noticing it?


Image source: Press Reader

I give the series 5 out of 10 stars (Benjen Stark is a good Odysseus) but 0 out of 10 stars for that horse.



Netflix and BBC’s Troy Falls Into Mediocrity

Sorry for the Late Notice But Season Three of the Expanse Starts on SyFy Tonight

A random Twitter account I follow recommended The Expanse, a sci-fi noir thriller set 200 years in the future, when the first two seasons of the show became available on Amazon Prime.

It starts slow but within three epsiodes I was hooked. It has everything I like in a show in general: well-written, flawed, complex characters; an engaging plot. It also has phenomenal space battles, futuristic but completely feasible tech, a pretty dim but realistic vision of the military-industrial-government complex and the future in general, and EXTRA-SOLAR ALIENS, which may or may not be human hybrids. 

This article does a great job in explaining the plot and characters. It’s up there with Battlestar Galactica, which is my favorite sci-fi show of all time.

Sorry for the Late Notice But Season Three of the Expanse Starts on SyFy Tonight

My 2017 in Television

When the kids went back to school in late August, I reunited with Netflix. Our wifi is abysmal but refusing to submit to Comcast is a hill I’m willing to die on, so if a child is on the computer or a tablet, Netflix for me is out.

I felt guilty enough for watching so much uninterrupted television that I decided to start crocheting, and ultimately made nearly every family member an afghan for Christmas, about 9 in total. (A young niece and nephew got hats, and I made my grandmother a matching scarf and hat.)

Here’s what I watched:

Sports Series That Lived Up to the Hype: 2017 World Series


Documentary About Some Badass Women: The Keepers

Unsatisfied with local law enforcement’s efforts to find out who killed their beloved English teacher, Sister Cathy, her former students–now in their 60s–combine their resources to find out what happened. It’s so frustrating how their efforts are thwarted at the local and city levels, and it made me angry that a young nun’s death could have been covered up to help keep secret what priests were doing to girls in that high school. The former students are steadfast and unflappable in their pursuit of justice.

Comic Book Series I Hate-Watched: The Iron Fist

The best part of this white-washed show was the villain and then she turned out to be boring, too.

Comic Book Series I Watched With My Blankie and One Hand Over My Face (Which Made Crocheting Really Hard): The Punisher

Unrelentingly violent. From the first episode to the last. Like … I get your point, Frank. I really do. I thing everyone does. Please do something more productive than drawn-out torture. Please.

Period Series That Were Very Good

Jamaica Inn

After losing her parents, the (actress who played) Lady Sybil Crawley goes to a relative’s hotel to live and work. She soon realizes something is amiss, and uncovers a smuggling ring that includes almost everyone in town and is carried out in a most disturbing way. The series is based on a Daphne Du Maurier novel.

Alias Grace

An Irish immigrant is convicted in the double murder of her employer and his housekeeper in Canada, but a psychiatrist is sent to determine whether she is to be pardoned; it’s unclear whether she was a full participant or an accessory. (An unreliable female narrator? WHO KNEW) The psychiatrist soon becomes obsessed with his subject. This series, like A Handmaid’s Tale, is based on the work of Margaret Atwood.

A Science Fiction Show, Complete with Subtle Conspiracies, That Does Not Seem Like a Science Fiction Show Until You Realize It’s Normalized Resurrection and Reincarnation #waitwhat: Glitch

A bunch of people come back to life by digging themselves out of their own graves in what at first could be a cliched happy ending to Pet Sematary. But! Some people have been dead two years, others decades. Their loved ones have moved on. They slowly remember how they died. A cop—whose dead wife is one of the resurrected—and a physician—who has an affair with another—have to figure out what’s going on without stirring up too much attention, and to keep safe from another group of people trying to kill them. Both seasons are pretty strong, and the writing and acting are great.

Science Fiction That Started Out Great But Declined Into a Hate Watch Series: Continuum

It started out with a promising, if trite, premise: can you change the future by going back to the past? But Continuum lasted two seasons before its writers were all, “Well what do we do now?” and introduced confusing temporal paradoxes and contradictory character development that made the show watchable. Oh and the answer to the question, according to this show, is yes.

A Science Fiction Show Whose Writing Was So Lazy I Couldn’t Even Hate Watch: Dark Matter

Six people wake up on a spaceship with their memories wiped and eventually find out they’re criminals who are employed as enforcers. What makes it interesting (and hopeful) is that they instinctively work together–people are inherently good, after all!–to solve their initial crisis in the pilot show. But huge plot holes arise and much of the conflict in the next two is resolved off camera and relayed through casual dialogue. #nope.

Science Fiction That Handled Time Travel and Reincarnation Quite Well: Travelers

Catastrophic events make the future a decidedly not swell place to be, but people have figured out how to send consciousness back in time. These people, called Travelers, take over a person’s body right after the person’s supposed time of death. The Travelers have a specific purpose: Prevent an asteroid from colliding into Earth, which triggers global-warming enhanced famine and destruction. The show basically takes the same premise as Continuum but with far better results. The first season was pretty solid but I still have to see Season 2.

A Show That Successfully Incorporates Science Fiction, Comic Book and Western Genres: Wynonna Earp

Wynonna, second oldest daughter of Wyatt Earp, reluctantly and sullenly returns to Purgatory to fulfill his legacy of killing demons. She has help from her indefatigable younger sister, Waverly; a federal agent, Dolls; some cops; and a never-aging Doc Holliday. Come for the witty dialogue; stay for Wynonna’s baby shower.

Procedural Series That Are Still Great in Their Third Season:


Hardy and Miller investigate a rape this time around, although we revisit their controversial past case tangentially.

I love Olivia Colman, who injects such empathy and compassion into her characters. Her chemistry with David Tennant (aka The Official Doctor of Online Offal) is wonderful, and illustrates that yes, indeed, women can work with men without any sort of underlying sexual tension.


The show transitions from focusing on Pablo Escobar to the three brothers comprising the Cali Cartel, who swooped in to take advantage of the power vacuum after Escobar’s death. In particular, it focuses on a man who defects from the cartel to become an informer of (handsome and winsome) agent Javier Pena. It’s an ultimately frustrating tale of how much one is willing to put up with a trade wreaks havoc and destruction because the people who inflict it are part of a larger political agenda.

Procedural Shows Inspired by/Similar to Broadchurch Just to Remind You People Everywhere Have the Capability of Being Truly Disgusting to Their Fellow Man: (Alternate Description: Brooding Male Detective in New Environment Overcomes Internal Angst to Solve Unspeakable Crimes)

The Break (La Treve) (takes place in Belgium)

Hinterland (takes place in Wales)

Case (takes place in Iceland)

Wallander (takes place in Sweden)

Bordertown (takes place in Finland)

Shetland (takes place in a archipelago north of Scotland; technically the UK)

Procedural Shows in Which the Brooding Detective is Female:

Marcella (takes place in London)

Deep Water (takes place in Australia)

Paranoid (takes place in the UK)

A Procedural Show That Takes the Best Parts of Stephen King’s It and Stand By Me: The Five

A boy goes missing after hanging out in the forest with his older brother and the brother’s friends. The show explores how the effects of the disappearance can still reverberate after 20 years. It comes to a deeply satisfying conclusion and reinforces the inexplicable power and healing that childhood friendship provides, even after two decades have passed. TL;DR: Your buddy Online Offal was a puddle of tears after watching this show.

A Procedural Series I Didn’t Know What to Do With: Mindhunter

I couldn’t tell what the point of this show was: a retelling of Silence of the Lambs? An FBI agent turns to serial killers to make him a better boyfriend? Serial killers act the way they do because of their mothers? Understanding serial killers will help us in trying to identify and/or prevent prospective ones?

The series starts out SLOW and even though Jonathan Groff is extremely pretty, I couldn’t get what this show was trying to accomplish. All that being said, the scenes of two FBI agents interviewing serial killers in prison juxtaposed with a man preparing to and beginning to kill is eerie and compelling.

Honorable Mentions: Stranger Things 2 (Serviceable, Got the Job Done) and Ozark (The Only Character I Liked Died; I Don’t Care What Happens to Anyone Else)








My 2017 in Television

Thirteen Reasons Why Irresponsibly and Selectively Lectures Us How to Feel About Suicide

Earlier this year, a local middle schooler committed suicide. To put it kindly, our school district has been in hot water, but the community put together a Go Fund Me page for the family to help defray funeral costs, and grief counselors were sent to the school to talk with students.

A friend of mine, who’s an administrator at a school in a neighboring district, says the school, although it’s not mandated by our state, has an action plan in place should such a situation occur.

Photo credit: Beth Dubber/Netflix

We’re never told exactly where Liberty High, the fictional setting for Netflix series Thirteen Reasons Why, is located, but after student Hannah Baker kills herself, the school administration slapped up some suicide awareness posters, allowed fellow students to enshrine Hannah’s locker, paid some lip service to being available if needed and called it a day.

As if anticipating this tepid response to a very real and tragic problem, Hannah helpfully and lovingly crafts charmingly retro audiocassette tapes that soon consume her guilt-ridden and shell-shocked fellow students as they struggle to cope with her death.

I didn’t read the YA novel upon which the series is based, but Hannah is repeatedly betrayed, humiliated and shamed during her two years at Liberty High. A compromising picture is broadcast throughout the school. She loses friends. She’s named Best Ass in a version of a slam book. She’s stalked, groped and eventually raped.

That’s a lot for any girl to deal with. But her melodramatic, passive-aggressive, manipulative tapes send earnest Clay Jensen on a macabre scavenger hunt as he desperately tries to find someone and everyone to blame for Hannah’s death, instead of putting it exactly where it belongs: with Hannah.

Thirteen Reasons Why, honestly, should have been called We All Let Hannah Down. Each of the other students featured on the tapes were dealing with their own problems–alcoholism, poverty, parental neglect, homosexuality, addiction, overbearing parents–but they all take a back seat to Hannah’s issues. Indeed, more than one angrily tell Clay that Hannah killed herself; she alone made that choice; but it’s portrayed as a defensive reaction instead of a very real and reasonable response. The anger, it seems, should only be directed inward.

Likewise, we’re made to believe that Hannah’s version of events are The One Real Truth instead of merely a perspective. By virtue of being dead, Hannah does not get challenged although she makes some incredibly poor choices (and, incidentally, is a pretty terrible friend) herself.

The series has graphic rape and sexual assault scenes, and the suicide is not only graphically described but also shown in all its glory, a horrifying instructional video.

For all the high-fives and headpats the creators are giving themselves, I didn’t see a single suicide hotline number, website or any other helpful advice prominently displayed for kids watching the show who might decide Hannah Baker is a role model instead of a cautionary tale. (It might have had text after the credits but I never watched that far.) Instead, the show glorified Hannah Baker’s revenge against her community, as if killing yourself is merely a way to get your point across.

Thirteen Reasons Why Irresponsibly and Selectively Lectures Us How to Feel About Suicide

Escape TV: The Second Seasons of The Magicians and Shadowhunters

Both Young Adult series The Magicians and Shadowhunters have strayed so far from their source material that I gave up comparing the TV shows to the books and just enjoyed the ride.

Shadowhunters had a bit more substance this season with meeting new characters (especially fierce and formidable females) and making series regulars more enriched and complex. It’s finally revealed why Clary is so special and important. We meet the Iron Sisters, who develop and test all weapons for the Shadowhunters. There is a full-fledged gay relationship that is addressed front and center, not treated like a subplot or ignored entirely after a smooch last season. A character develops an addiction. The second half of the season starts in a couple months, with a secret son and I hope, a trip to Idris to explore that world.

(Image source:

Speaking of new worlds, The Magicians delivered in spades. We spent a lot of time in Fillory (a place that was thought to exist solely in novels but in fact is real) this season. My expectations for this show are a lot higher, and this season was uneven (people in Fillory singing show tunes from Les Miserables on the way to battle another kingdom made my eyes roll so hard) but everyone was committed, I give them that. 

Only one character, Margo, remains stubbornly one-dimensional despite being Fillory’s sole ruler for a good chunk of time. The actress’ delivery of lines is slow and deliberate and caustic. 

My favorite places are The Library, where Penny works to pay off a debt; and Brakebills South, a facility in Antarctica where the school’s most brilliant magician has been outcast.

The season ends with the total eradication of magic in both worlds. The show has been renewed for a third season; I hope time travel–the lazy way out– is not involved in restoring magic to both Earth and Fillory.

Escape TV: The Second Seasons of The Magicians and Shadowhunters

I Missed the Biggest Story of Spring Training

In what was surely inevitable, Major League Baseball is teaming up with Game of Thrones for a big promotional hootenanny.

I came across this story this afternoon on the Twitters, where I first learned Mets pitcher Noah Syndergaard will have a walk-on role on this season of Game of Thrones. (He was available to film in November because the Mets lost their sole play-off game hahahahahaha #soblessed.)

As a surprise to no one, I have some ideas on how to incorporate the Game of Thrones world into baseball games.

1. Introducing the players and their positions. Use the GoT music and title sequence to announce fielders, with each player having his own sigil and his position having a construction similar to places in GoT.

2. Quotes for different situations:

  • Bottom of the ninth inning: “What is dead shall never die.”
  • Substitutions, especially during the game: “His watch has ended.”
  • Refer to a particularly brutal inning as the Red Wedding.
  • Referring to the umps: “You know nothing, Jon Snow.”

3. Recite lineups like Arya Stark’s list of revenge. 

4. DRAGONS! (I haven’t thought this one through yet.)

5. DIREWOLVES! (Ditto.)

I Missed the Biggest Story of Spring Training